Running time 129 minutes Country United States Language English Budget $35 million Box office $16.5 million 12 Strong (also known as 12 Strong: The Declassified True Story of the Horse Soldiers) is a 2018 American directed by and written by and. The film is based on 's non-fiction book Horse Soldiers, which tells the story of officers and, in addition to, sent to immediately after the. The film stars,,,,,,,, and. Began in January 2017 in. The film was released in the United States on January 19, 2018, in standard and theaters. It received mixed reviews from critics, who praised the cast and action but criticized the by-the-numbers execution and lack of hindsight of the. Retrieved April 30, 2017. Retrieved January 21, 2018. • ^ Faughnder, Ryan (January 17, 2018)... Retrieved January 17, 2018. • Jeff Giles (January 18, 2018)... Retrieved January 20, 2018. • ^ Kroll, Justin (November 17, 2016).. Retrieved February 8, 2017. Find great deals for The Horse Soldiers (Blu-ray Disc, 2011). Shop with confidence on eBay! May 26, 2011 Just in time for Father’s Day, Fox is releasing Blu-ray editions of two films that belong to John Wayne’s late-middle period: “The Horse Soldiers. The Horse Soldiers is a 1959 Western war film set in Mississippi during the American Civil War. Loosely based on Harold Sinclair's 1956 novel by the same name, it was. BOTTOM LINE: The Horse Soldiers is a much better film that I was anticipating. 'The Duke' is his usual but doesn't have to carry the film - with a solid. • Williams, Brian Glyn (2017-01-04).. Huffington Post. Retrieved 2017-11-24. • ^ Kroll, Justin (September 30, 2016).. Retrieved November 15, 2016. • ^ McNary, Dave (November 1, 2016).. Retrieved November 15, 2016. • ^ Kit, Borys (November 3, 2016).. The Hollywood Reporter. Retrieved November 15, 2016. • ^ Jr, Mike Fleming (February 3, 2017).. Retrieved February 8, 2017. • ^ Symonds, Kristy (December 7, 2016).. Daily Telegraph. Retrieved February 8, 2017. • ^ N'Duka, Amanda (November 14, 2016).. Retrieved November 15, 2016. • ^ Kroll, Justin (November 15, 2016).. Retrieved February 8, 2017. • ^ N'Duka, Amanda (November 15, 2016).. Retrieved November 16, 2016. 22 December 2016. Retrieved February 9, 2017. • Jr, Mike Fleming (December 2, 2011).. Horse Soldiers, The on Blu-ray (59) from MGM / UA. Directed by John Ford. Staring John Wayne, William Holden, Althea Gibson and Constance Towers. Retrieved November 15, 2016. • Jaafar, Ali (March 29, 2016).. Retrieved November 15, 2016. • Turner, Scott (January 26, 2017).. El Defensor Chieftain. Retrieved February 7, 2017. • Turner, Scott (February 2, 2017).. El Defensor Chieftain. Retrieved February 7, 2017. On Location Vacations. January 13, 2017. Retrieved February 7, 2017. Las Cruces Sun-News. January 7, 2017. Retrieved February 7, 2017. • ^ D'Alessandro, Anthony (January 21, 2018)... Retrieved January 21, 2018. Retrieved January 21, 2018. Retrieved January 20, 2018. • (January 17, 2018)... Retrieved January 18, 2018. • Matt Bobkin (January 17, 2018)... Retrieved January 18, 2018. External links [ ] • • on •. Horse Soldiers, The John Wayne teams with William Holden and eminent western director John Ford for the frontier actioner 'packed with laughter, romance and thrills' ( The Hollywood Reporter)! Written by John Lee Mahin and Martin Rackin, this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war, and a powerful, action-packed drama. Based on an actual Civil War incident, The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne), a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's to accompany the Union raiders on perhaps the most harrowing mission in the war.
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First edition cover of The Death Cure Author Cover artist Philip Straub Country United States Language English Series Genre,, Published 2011 Publisher Media type Print ( and ),, Pages 325 Preceded by Followed by (in publication order) The Death Cure is a 2011 novel written by American writer and the third book published in the (the fifth and last in narrative order). It was published on 11 October 2011 by and was preceded in publication order by and and followed by the series prequels, and. In narrative order, it is the last book in. Main article: Maze Runner: The Death Cure will be released on January 26, 2018. Confirmed that, if he returns to direct, the film will not be. In March 2015, was confirmed to write the script. On 9 July 2015 Defy Media revealed that filming is set to begin in February 2016. On 16 September 2015 confirmed that Ball would return to direct the third film. The film began on 14 March 2016 in. On 19 March 2016, Maze Runner star was critically injured on-set when he was struck by a car during a stunt sequence. On 20 March 2016, director Wes Ball announced production was shut down to allow O'Brien time to recuperate from his injuries. Dylan O'Brien, who plays the protagonist, Thomas, has recovered. On 22 April 2017, the studio again delayed the release in order to allow more time for post-production. References [ ]. Retrieved 7 December 2013. Maze Runner: The Death Cure (2018) on IMDb: Movies, TV, Celebs, and more. USA (alternative title) Maze Runner 3: The Death Cure: USA (short title). USA (short title) - Maze Runner 3 USA (alternative title) - Maze Runner 3: The Death Cure USA (short title) - Maze Runner III USA (alternative title). Maze Runner The Death Cure 2018 Full Movie Watch. About Maze Runner The Death Cure. Country: United States. Of the saga of Maze Runner. Under the title of. Maze Runner: The Death Cure HD full movie watch onlineSTREAM MOVIE ONLINEFULL MOVIE. United States of America: Language. Alternative Titles: Maze Runner. Original Title: Maze Runner: The Death Cure. United States of America. Temple Hill Entertainment Alternative Titles: Maze Runner 3. Retrieved 7 December 2013. Library Journal (Book Verdict). Retrieved 7 December 2013. Retrieved 7 December 2013. • Ellsworth, Emily.. Deseret News. Retrieved 7 December 2013. Kirkus Reviews. Retrieved 7 December 2013. • Ribay, Randy (Spring 2012).. The Horn Book Guide. Retrieved 7 December 2013. • Sciretta, Peter (9 October 2014)... Retrieved 24 October 2014. • Busch, Anita... Retrieved 5 March 2015. • (9 July 2015). Retrieved 10 July 2015 – via. • McNary, Dave; Chi, Paul (16 September 2015)... Retrieved 17 September 2015. Retrieved 2016-03-21. • Wes Ball (22 April 2017).. External links [ ]. Okay I seriously want to give Thomas a hug as the poor guy has been trough alot. He's very caring and loyal to his friends. Quick thinking on his actions and for once he didn't do anything too stupid that makes you want to hit him in the head. He goes trough life/death and traumatic experience trough out the series but non as gruesome as this book. I feel as a character, he grew a lot in this book. The decisions he makes in this book were good and wise even though some were difficult and painful. JOIN FREE FOR A MONTH Basic Standard Premium Monthly price after free month ends on Monthly price after free month ends on €7,99 €10,99 €13,99 HD available HD available Ultra HD available Ultra HD available Screens you can watch on at the same time Screens you can watch on at the same time 1 2 4 Watch on your laptop, TV, phone and tablet Watch on your laptop, TV, phone and tablet Unlimited movies and TV shows Unlimited movies and TV shows Cancel anytime Cancel anytime First month free First month free. Watch Netflix movies & TV shows online or stream right to your smart TV, game console, PC, Mac, mobile, tablet and more. Start your free trial today. 123movieshub - watch Full HD 1080p Proud Mary (2018) full movie on 123movieshub.to. Mary (Taraji P. Henson) is a hit woman working for an organized crime family in. Download PROUD MARY (2018)| Full Movie Trailer in Full HD| 1080p As 3gp & Mp4 for free from our website to your mobile phones / Desktop Computer. Download PROUD. By using our site, you consent to this privacy policy: This website allows third-party advertising companies for the purpose of reporting website traffic, statistics, advertisements, 'click-throughs' and/or other activities to use Cookies and /or Web Beacons and other monitoring technologies to serve ads and to compile anonymous statistics about you when you visit this website. Cookies are small text files stored on your local internet browser cache. A Web Beacon is an often-transparent graphic image, usually no larger than 1 pixel x 1 pixel that is placed on a Web site. Both are created for the main purpose of helping your browser process the special features of websites that use Cookies or Web Beacons. The gathered information about your visits to this and other websites are used by these third party companies in order to provide advertisements about goods and services of interest to you. The information do not include any personal data like your name, address, email address, or telephone number. If you would like more information about this practice and to know your choices about not having this information used by these companies, click. Running time 88 minutes Country United States Language English Budget $14–30 million Box office $17.3 million Proud Mary is a 2018 American directed by, from a screenplay written by and Christian Swegal. The film stars,,,,, and, and follows an assassin who must look after a young teenaged boy after a hit job goes wrong. Watch Free full HD movies 1080p English Top 2017 Proud Mary Actor, producer and humanitarian Danny Glover has been a commanding presence on screen, stage and television for more than 25 years. Mary's life is completely turned around when she meets a young boy whose path she crosses when a professional hit. Hd| 1080p movie, 3gp Proud Mary (2018. Proud Mary was released on January 12, 2018, by, which was also the film's production company. Upon release, the film received negative reviews from critics and has grossed $17 million. Contents • • • • • • • • Plot [ ] Mary is a successful hitwoman working for an organized crime family in. However, her life is completely shifted when she meets a young boy whose path she crosses when a professional hit goes wrong and she leaves the boy orphaned. Cast [ ] • as Mary Goodwin • Jahi Di'Allo Winston as Danny • as Tom • as Benny • as Uncle • as Walter • as Mina • as Luka Production [ ] In January 2017, signed on to star in Proud Mary with still looking to secure a director for an April 2017 principal production start in. In February 2017, the film received a January 26, 2018, release date and signed on to direct. On April 5, 2017, the rest of the cast was announced as the film commenced principal production. On July 20, 2017, the first official trailer for the film was released along with a teaser poster. A new release date of January 12, 2018, was also confirmed. Reception [ ] Box office [ ] In the United States and Canada, Proud Mary was released on January 12, 2018, alongside and, as well as the wide expansion of, and was projected to gross around $20 million from 2,125 theaters in opening weekend. It made $3.2 million on its first day and $10 million over the weekend, finishing 8th at the box office and last among the new releases. Critical response [ ] On, the film has an approval rating of 23% based on 43 reviews, with an average rating of 3.9/10. The website's critical consensus reads, ' Proud Mary proves Taraji P. Henson has more than enough attitude and charisma to carry an action movie -- just not, unfortunately, one this indifferently assembled.' On, which assigns a normalized rating to reviews, the film has a weighted average score of 35 out of 100, based on 23 critics, indicating 'generally unfavorable reviews'. Audiences polled by gave the film an average grade of 'B+' on an A+ to F scale. References [ ]. Retrieved January 10, 2018. January 6, 2018. Retrieved January 6, 2018. • ^ D'Alessandro, Anthony (January 14, 2018)... Retrieved January 14, 2018. Retrieved January 24, 2018. • ^ Fleming, Mike, Jr. (January 11, 2017).. • D'Alessandro, Anthony (February 9, 2017).. • Busch, Anita (February 10, 2017).. • N'Duka, Amanda (April 5, 2017).. • Evans, Greg (July 20, 2017).. • Fuster, Jeremy (January 9, 2018)... Retrieved January 10, 2018. Retrieved January 19, 2018. Retrieved January 19, 2018. External links [ ] • on. Greetings again from the darkness. Don't mistake this for either the Franco Nero (1966) or Jamie Foxx (2012) movie. This latest from writer/director Etienne Comar centers on Django Reinhardt, one of the most talented and influential musicians of the twentieth century. Based on the novel 'Folles de Django' by Alexis Salatko, the story follows the challenges of his escape from German-occupied France. He is already a renowned (and enigmatic) performer when the film kicks off in 1943 Ardennes, as Django and his band are being contracted by the Nazis to tour and entertain the troops. Of course, he refuses to sign the contract and tour under their terms with limit the style of music he can play. Because of this, Django and his family must flee and disappear underground, while they plan an escape to Switzerland. His musical influence proliferated the area, and his influence and respect is clear at each step of his travels. In fact, it's the musical pieces and segments that really stand out here. Reda Kateb (A PROPHET, 2009) gives a terrific and expressive performance as Django, but the musical portions are so outstanding, that we find ourselves not as engaged in the personal saga of escape as we should. Clearly, the war and Nazis are a threat, and when Django says 'I'm a musician. It's what I do', that serves as his admission that he takes an apolitical stance and does not envision himself as a hero to the people. As a driving force behind European jazz, and being such an influence on so many guitar players, Django's legacy is something other than as a war icon. The film certainly could have benefitted from more attention to either how his music gained popularity, or what drove him to avoid any political notoriety until it was too late for many of his fellow Gypsies. Admittedly, his escape was crucial and led to his 1945 score, 'Requiem for Gypsy Brothers', of which his conducting leads to the most emotional moment of the film. O CINEMAX em parceria com a PRIS Audiovisuais ofereceu 20 convites para as antestreias de 'Melodias de Django', nos cinemas NOS. Salas de cinema Cinemax em Angola. Filmes e estreias. • Erwin Olaf Springveld (born 2 July 1959), professionally known as Erwin Olaf, is a Dutch photographer.Erwin Olaf Springveld was born on 2 July 1959 in Hilversum in the Netherlands.Springveld is most famous for his commercial and personal work. He has been commissioned to photograph advertising campaigns for large international companies such as Levi's, Microsoft and Nokia. Some of his most famous photographic series include 'Grief', 'Rain', and 'Royal Blood'. Never one to shy away from controversy, Springveld's work is often daring and provocative. Humorously however, one of his early photographs was once expelled from a show on the basis of not containing nudity.His work has received many awards and he has held exhibitions around the world.Springveld studied journalism in the School of Journalism in Utrecht. His work is shown in galleries and museums all around the world, for example at Wagner + Partner, Berlin; Flatland Gallery, Utrecht; Hamiltons Gallery, London; Galerie Magda Danysz, Paris; Gallery Espacio Minimo, Madrid; and many others.Springveld designed the 2014 Dutch euro coins with the portrait of King Willem-Alexander. Watch Terminator 2 - Le jugement dernier Full Movie Putlocker, Watch Terminator 2 - Le jugement dernier Online Free 123movies, Terminator 2 - Le jugement dernier. Travel and accommodations were provided by Warner Bros. 12 Strong, from Warner Bros. Find product information, ratings and reviews for 12 Strong: The Declassified True Story of the Horse Soldiers (Paperback) (Doug Stanton) online on Target.com. THE DECLASSIFIED TRUE STORY OF THE HORSE SOLDIERS. “12 Strong” is set in the harrowing days following 9/11 when an elite U.S. Special Forces unit. 12 STRONG: THE DECLASSIFIED TRUE STORY OF THE HORSE SOLDIERS – A Review by Cynthia Flores. The Paperback of the 12 Strong: The Declassified True Story of the Horse Soldiers by Doug Stanton at Barnes & Noble. FREE Shipping on $25 or more! Pictures, will release on January 19, 2018. It is rated R for violence and language throughout. A clock sounds loudly. A military man and his wife hold each other, knowing they will be separated in the morning, unsure of the future. Both are awake, both unwilling to break the silence as their young child sleeps nearby. It’s a helluva thing we do, isn’t it? How do you love your family and leave them to go to war? Military families can’t escape the fact that we’ve now been at war nearly 17 years. The conflict we expected to be over in months inexplicably continues on. We’ve spent years apart from our spouses due to Middle East deployments, and some of us, like me, are now sending our sons and daughters to fight the same war in the same places. So I approach a war movie set in the days after 9/11 with a certain amount of skepticism. After all, can Hollywood do this topic justice? With a group of military spouse bloggers recently in Hollywood. I’ll admit, my guard was up, as I don’t expect even-handed treatment of military-heavy stories these days. I waited for it, that inevitable politicization of our troops’ presence in Afghanistan, but was happily surprised when it never came. Instead, 12 Strong simply tells a story a true one. WARNING: Spoilers ahead! About the Movie 12 Strong stars Chris Hemsworth (“Thor” from the Avengers movies, in case you’re not up on pop culture) and Oscar nominee Michael Shannon and is produced by Alcon Entertainment, Black Label Media, and Jerry Bruckheimer Films. The movie tells the hitherto little known story of a U.S. Army Special Forces unit sent on a dangerous mission into Afghanistan mere days after 9/11. The now declassified mission, code-name “ Task Force Dagger“, included joining forces with the loosely organized Northern Alliance to help take back certain provinces, as well as act as the tip of the spear in the initial fighting against Al Qaeda and the Taliban Aside from the challenges of cultural differences and a sense of distrust on both sides, the Americans, with their state of the art technology and equipment, had to learn to navigate the treacherous mountains and desert landscape the same way the locals did: on horseback. Outnumbered by enemy fighters 5,000 to 1, the men were also in extreme danger due to the huge bounties placed on their lives by the Taliban. Based on the novel Horse Soldiers by Doug Stanton, 12 Strong offers a realistic depiction of what the unit went through, the inner workings of military culture, and the effect on both Afghan civilians and the unit’s families back home. Note that there is strong language throughout, as well as violence. Trigger warnings include battlefield violence, repeated explosions and gun battles, and up-close scenes of civilian killings by the Taliban. Who Is 12 Strong For? During the press conference with filmmakers and cast members after the movie screening, all expressed their pride in relaying the story of true-life heroes that had been classified until recently. One key point noted repeatedly ( and military spouses already know this!) is the manner in which military members tend to downplay their service or push aside thanks, rarely focusing on themselves, but on their team or country as a whole. This story needed to be shared with the rest of the country. Producer Jerry Bruckheimer, on the decision to make the movie: “Remarkably enough, there have been very few films made about the Army’s Special Forces. They are known as ‘the quiet professionals’ because their missions are covert and, for obvious reasons, they rarely publicize their exploits.” Actor and producer Thad Luckinbill commented on the need to “just be authentic and pay these guys the respect that they deserve and tell the story that should be told.” One of the most fascinating threads throughout the movie is the forging of an uneasy partnership between Captain Mitch Nelson (Hemsworth) and Northern Alliance General Dostum (Navid Negahban). Initially eschewing interaction with Nelson due to his youth and the fact that he “doesn’t have killer’s eyes,” they come to trust each other and eventually work in tandem along with their teams. Hemsworth and Negahban convey the tension between the two men brilliantly, and Negahban had this to say: “This was the first film that truly shows what Afghans went through and how we united with them to achieve our goal.”. Hemsworth and Negahban A good reminder for all Americans are the scenes portraying the oppressive lives the Afghan people were subjected to under Taliban rule. Commandeering whole villages, women in burkas with not even eyes showing, the stoning of a woman only for being caught in adultery, and the execution of a mother for daring to teach her daughters to read. It’s a gritty reminder of who our common enemy was–one that not only strove to kill Americans, but also attempted to force its archaic way of life on whole countries. Military Family Scenes Military families will relate to the goodbyes. The moments of shock..Is this really happening? A wife buried shoulders deep in her oven, scrubbing it out as if her life depends on it, as if it will make any sort of difference in what’s coming ( Angry cleaning, I call it.). Questioning, sad children. We’ve all been there. Families back home monitor the news, not wanting to look but more afraid to turn it off. The unexplained feeling of relief when you know your loved one is safe. (Though in my opinion, much more time should have been given to family homecoming scenes!) Captain Mark Nutsch, Special Forces commander on the mission and Chief Warrant Officer Bob Pennington, the real-life counterparts to the roles played by Chris Hemsworth and Michael Shannon, were both on set to ensure accuracy in the movie’s portrayal. Nutsch commented: “We’re humbled that a movie has been made about our team’s mission in that pivotal post 9/11 period. It also means a great deal to our families, who sacrifice so much, that what we accomplished is finally being brought more into public light. And I believe it will mean a lot to the Afghan people because it shows their service in that conflict.” Should You Watch It? My opinion is an unequivocal yes. It’s an important part of our country’s history and an amazing story of courage, brothers in arms, and the reasons we ended up in Afghanistan in the first place. It moves past politics and rhetoric to provide a picture of what our military members choose to go through willingly. And that is a story worth telling. In the words of director Nicolai Fuglsig: “This is a movie where you can rally around both the Americans and the Afghans because, together, they took an epic ride into the mouth of hell. Special Forces team didn’t work together with General Dostum and his militia, they would have had no chance against the tens of thousands of Taliban fighters. At its core, 12 Strong is not just a war movie; it’s a story about learning to respect the differences that separate us but also to embrace the qualities that unite us. I had the opportunity to see this film tonight at the 13th PiFan Film festival in Bucheon, Korea, and I have to say that I was impressed. I had some problems with some of the final filming decisions, but the direction was competent, if not really good at points, the action was very, very well directed and executed, and the comedy was handled in an awkward but unique and hilarious way. Ron Perlman and Il Lim's (writer, director, editor(?), producer, choreographer, AND star) scenes are spectacular, and Il Lim and Leelee Sobieski have a chemistry that is extremely strange and frustrating to watch but justifiably and redeemably so in the end. I recommend this to anyone looking for a movie that is fighting/violence heavy and revolves around an overworked premise that is handled with an innovative style and unique sense of timing. I hesitate to say great but definitely a GOOD movie. The World Health Organization has defined violence as “the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, which either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation.” 1 Violence occurs at an alarming rate in the United States. Among Americans aged 15 to 34 years, two of the top three causes of death are homicide and suicide. 2 In a given year, more U.S. Children will die from gunfire than will die from cancer, pneumonia, influenza, asthma, and HIV/AIDS combined. 3 The rate of firearm-related death or injury in the United States is the highest among industrialized countries, with more than 32,000 deaths each year. In recent years, this has meant that 88 people die each day from firearm-related homicides, suicides, and unintentional deaths. Further, the number of nonfatal injuries due to firearms is more than double the number of deaths. 4 While there are multiple factors that lead to violent actions, a growing body of literature shows a strong association between the perpetration of violence and the exposure to violence through the media. Media Violence in the United States Children and adolescents in the U.S. Spend an average of about seven and a half hours a day using various forms of entertainment media, such as television, video games, the Internet, and recorded music. Research suggests that the time they spend interacting with various media surpasses all other activities except sleep. 5 Moreover, studies have shown that by the time young people living today reach their 70s, they will have spent the equivalent of 7 to 10 years of their lives watching television. 6 Today’s children live in environments where, on average, families own nearly four televisions, nearly three DVD players, one DVR, two CD players, two radios, two video game consoles, and two computers. 5 Television still dominates children’s media consumption, but the number of kids watching television are dropping with each age group. At the same time, media consumption through mobile devices and the Internet is increasing in every age group. 7 Studies demonstrating an association between exposure to violence in the media and real-life aggression and violence began appearing in the 1950s. Since then, various government agencies and organizations have examined the relationship. These include a 1972 Surgeon General’s report, 8 a 1982 National Institute of Mental Health (NIMH) review, 9 and a 2000 Congressional summit which issued a joint statement on the impact of entertainment violence on children. 10 In 2000, the Federal Bureau of Investigation (FBI) released a report noting that media violence is a risk factor in shootings in school. 11 A 2003 NIMH report noted media violence to be a significant causal factor in aggression and violence. 12 The Federal Communications Commission (FCC) issued a 2007 report on violent programming on television, and noted that there is “strong evidence” that exposure to violence through the media can increase aggressive behavior in children. 13 These reports and others are based on a body of literature that includes more than 2,000 scientific papers, studies, and reviews demonstrating the various effects that exposure to media violence can have on children and adolescents. These include increases in aggressive behavior, desensitization to violence, bullying, fear, depression, nightmares and sleep disturbances. 14,15,16 Some studies found the strength of association to be nearly as strong as the association between cigarette smoking and lung cancer, and stronger than the well-established associations between calcium intake and bone mass, lead ingestion and IQ, and failure to use condoms and acquisition of HIV. 17 Violence is ubiquitous in mass media in the U.S., whether consumed through television, video games, music, movies, or the Internet. Television An average American youth will witness 200,000 violent acts on television before age 18. 18 Violence is often considerable, even in programs not advertised as violent. Overall, weapons appear on prime time television an average of nine times each hour. 19 An estimated 54 percent of American children can watch this programming from the privacy of their own bedrooms. 20,21,22 Children’s shows are particularly violent. Watching Saturday morning cartoons used to be a common aspect of American life. Now, networks feature cartoons continuously. Studies analyzing the content of popular cartoons noted that they contain 20 to 25 violent acts per hour, which is about six times as many as prime time programs. 23 Overall, 46 percent of television violence occurs in cartoons. 20,21,22 Additionally, these programs are more likely to juxtapose violence with humor (67 percent) and less likely to show the long-term consequences of violence (5 percent). 21,22,23,24 Although some claim that cartoon violence is not as “real” and therefore not as damaging, cartoon violence has been shown to increase the likelihood of aggressive, antisocial behavior in youth. 24 This makes sense in light of children’s developmental difficulty discerning the real from the fantastic. 25 Video Games Nearly all American teens – one survey documenting 97 percent – play video games. Studies have shown the average time spent playing to be around 13 hours per week. 26 Many games have violent content and studies have shown a significant association between violent content with increases in aggression, desensitization to violence, decrease in positive social behaviors, and increases in delinquent behaviors. 27,28,29 Video games offer players the opportunity to be “virtual perpetrators,” by assuming the roles of aggressors and soldiers. These interactive games also reward players for successful violent behavior. Studies have shown that the general effects of violence may be more profound when children play these interactive games than when they watch violence in a more passive manner, such as when watching television. 30,31 Music (Lyrics and Music Videos) Music plays a central role in adolescent and young adult lives, helping them sort through emotions and identify with certain peer groups and develop a sense of self. Children 8 to 18 years of age have been found to listen to at least two and a half hours of music a day. 5 Fewer studies have looked at the effects of violence portrayals in music. One study by the American Psychological Association (APA) found a correlation between violent lyrics, and aggressive thoughts and emotions, but not actions. 32 Music videos have been sources of violent content for decades. Content analysis has shown that in music videos more than 80 percent of violence is perpetrated by attractive people, and that it depicts acts of violence mainly against women and minorities. 33 Violent scenes were of a sexual nature in many, with one study showing that 81 percent of videos that portrayed violence contained sexual imagery, often intertwined. Additionally, artistic features and editing may juxtapose violence with beautiful scenery, potentially linking it to pleasurable or pleasing experiences. 34 Several studies have focused on rap music, and found them to contain more violence than other genres. They also found viewers to be more likely to accept the use of violence, to accept violence against women, and to commit violent or aggressive acts themselves. 34 Movies Studies have found that 91 percent of movies on television contained violence, even extreme violence. 35 Several researchers have described an increase of violent content in movies, despite a national rating system. They note that the amount of gun violence in top grossing PG-13 films has more than tripled since the introduction of the rating in 1985. 36 It was also noted that, in 2012, popular PG-13 films contained significantly more gun violence than R-rated films. 37 Children, adolescents and young adults consume entertainment from a variety of sources that are accessible 24 hours a day, are mobile, and offer passive, as well as more active engagement. Many of these media platforms feature entertainment that contains significant doses of violence, and portrays sexual and interpersonal aggression. Multiple studies have shown a strong association, and suspicion or suggestion of causality between exposure to violence in the media, and aggressive or violent behavior in viewers. This is a serious public health issue that should concern all family physicians. What Can Family Physicians Do 1. Clinical Setting a. Consider discussing media use during well-child visits • Ask at least two media-related questions: 1) How much entertainment media per day is the child or teenager watching? 2) Is there a television set or Internet connection in the child's or teenager's bedroom? • Question patients about excessive exposure to media violence. May 4th, 2009. Workplace Bullying: Psychological Violence? By Steve Oppermann FedSmith.com December 3, 2008. I have written previously on workplace violence; this. • If you identify heavy use (more than 2 hours daily), take additional history of aggressive behaviors, sleep problems, fears, and depression. • Suggest healthy alternatives. • Children under two years of age should be discouraged from watching television. • Incorporate warnings about the health risks of violent media consumption into the well-child visit. Encourage parents and caregivers to monitor content. Parental monitoring has been shown to have protective effects on several academic, social and physical outcomes, including aggressive behaviors. 36 • Urge parents to co-view shows and content with their children. • Encourage parents to discuss the content of television, films, video games, music videos, and the Internet with their children and make comparisons to real-life situations and consequences. • Consider and discuss movie and video game ratings and labels with parents to set expectations and guide choice of content. Although film ratings and advisory labels can help parents decide on programs to be avoided, there are two major problems with relying on this system. First, certain labels, such as “parental discretion advised” and “R” have been shown to attract children, especially boys. 20,21,22 Second, violence is present is many programs not considered to be violent, such as children’s cartoons. Counsel parents and caregivers to limit exposure duration • Exposure can be limited by removing televisions, video games, computers, and Internet connection from the bedroom. • Limit screen time to no more than two hours a day. • Use technology that locks certain channels or turns off the computer or television after a certain amount of time. Clinical environment • Limit video and television use in waiting rooms. • Provide only nonviolent media choices in outpatient waiting rooms and inpatient settings. • Provide books, toys, and other alternative activities for patients who are waiting. Promote Media Education In addition to limiting exposure to violent media, educational efforts should be developed to help children understand the divide between real and fictionalized violence. Such media literacy programs have been shown to be effective, both in limiting the negative effects of media, as well as in exploring the potential positive social uses of media. 39,40,41 • Encourage patients, children, families, and caregivers to participate in media education, and media literacy programs. • Advise adults to watch with their children, and help them process media violence. Taping programs beforehand enables pausing for discussion or processing. • Support the development of media education programs that focus on demystifying and processing media violence. Emphasis should be placed on the inappropriate and unrealistic nature of violence on television and films, and the consequences, responsibility, and complexity involved with true violence. Support and Engage in Professional Education • Become familiar with the research of trends of media use, and the effects of medial violence on patients. • Disseminate this knowledge via teaching at medical schools, residencies, grand rounds, and via community–based lectures. • Request, attend, or create CME. Advocacy and Policy Changes • Partner with other medical organizations, government entities, and educators to advocate keeping this issue on the public’s health agenda. • Partner with families and community-based organizations to demand that media producers limit the amount and type of violence portrayed in mass media. • Advocate for research funding to continue studying this topic. • Advocate for enhancements to media rating systems to enable parents and caregivers to guide their children to make healthy media choices. References • World Health Organization. Health Topics. Accessed July 10, 2015. • Centers for Disease Control and Prevention. Deaths: final data for 2013. National vital statistics reports; vol. National Center for Health Statistics. Accessed June 30, 2015. • Children’s Defense Fund. Protect children instead of guns, 2004.. Accessed June 18, 2015. • Weinberger SE, et al. Firearm-related injury and death in the United States: a call to action from 8 health professional organizations and the American Bar Association. Ann Intern Med. • A Kaiser Family Foundation Study. Generation M2: media in the lives of 8- to 18-year-olds.. Accessed March 29, 2015. • American Academy of Pediatrics. Council on Communications and Media. Policy Statement. Children, adolescents, and the media. The Kids Issue. Infographic: a look at kids’ media consumption. Where different age groups tend to spend their time online. Accessed July 10, 2015. Public Health Service. Television and growing up: the impact of televised violence. Report to the Surgeon General. Department of Health and Human Services. National Institute of Mental Health. Television and behavior. Ten years of scientific progress and implications for the eighties. Volume I: summary report. • American Academy of Pediatrics, et al. Joint statement on the impact of entertainment violence on children, Congressional Public Health Summit. Accessed March 29, 2015. • FBI Academy. Critical Incidence Response Group. National Center for the Analysis of Violent Crime. The school shooter: a threat assessment perspective. Accessed March 29, 2015. • Anderson CA, et al. The influence of media violence on youth. Psychol Sci Public Interest. • Federal Communications Commission. In the matter of violent television programming and its impact on children. Media Violence and Children: A Complete Guide for Parents and Professionals. Westport, CT: Praeger; 2014. • Coker TR, et al. Media violence exposure and physical aggression in fifth-grade children. Acad Pediatr. • Ybarra ML, et al. Linkages between Internet and other media violence with seriously violent behavior by youth. • Singer DG, Singer JL. Handbook of Children and the Media. Thousand Oaks, CA: Sage Publications, Inc.; 2001. • American Psychological Association. Violence & youth: psychology’s response. Volume I: summary report of the American Psychological Association Commission on Violence and Youth. • Strasburger VC, et al. Children, adolescents, and the media in the 21 st century. National television violence study. Thousand Oaks, CA: Sage Publications, Inc. • Federman J. National television violence study. Thousand Oaks, CA: Sage Publications, Inc. National television violence study. Thousand Oaks, CA: Sage Publications, Inc. • American Academy of Pediatrics. Committee on Communications. Media violence. • Leung LR, et al. Children and television. Am Fam Physician. • Huesmann LR, et al. Mitigating the imitation of aggressive behaviors by changing children’s attitudes about media violence. J Pers Soc Psychol. • Greitemeyer Y, Mugge DO. Video games do affect social outcomes: a meta-analytic review of the effects of violent and prosocial video game play. Pers Soc Psychol Bull. • Brockmyer JF. Playing violent video games and desensitization to violence. Child Adolesc Psychiatr Clin N Am. • Exelmans L, Clusters K, Van den Bulck J. Violent video games and delinquent behavior in adolescents: a risk factor perspective. Aggress Behav. • Willoughby T, Adachi PJ, Good M. A longitudinal study of the association between violent video game play and aggression among adolescents. • Hollingdale J, Greitemeyer T. The effect of online violence video games on levels of aggression. • Anderson, CA, Gentile DA, and Buckley KE. Violent Video Game Effects on Children and Adolescents. New York, NY: Oxford University Press; 2007. • Anderson CA, Carangey NL, Eubanks J. Exposure to violent media: the effects of songs with violent lyrics on aggressive thoughts and feelings. J Pers Soc Psychol. • Rich M, et al. Aggressors or victims: gender and race in music video violence. 1998;101(4 Pt 1):669-674. • Ashby SL, et al. Video killed the radio star: the effects of music videos on adolescent health. Adolesc Med Clin. • Worth KA, et al. Exposure of US adolescents to extremely violent movies. • Romer D, et al. Parental desensitization to violence and sex in movies. • Bushman BJ, et al. Gun violence trends in movies. • Gentile DA, et. Protective effects of parental monitoring of children's media use: a prospective study, JAMA Pediatr. • American Academy Pediatrics. Committee on Public Education. Media education. Television, ‘Critical Viewing Skills,’ Education: Major Media Literacy Projects in the United States and Selected Countries (Routledge Communication Series). Mahwah, NJ: Lawrence Erlbaum Associates, Inc.; 1991. • Voojis MW, van der Voort THA. Learning about television violence: the impact of a critical viewing curriculum on children's attitudinal judgments of crime series. J Res Dev Educ. (2004) (2016 COD). Diagnosis: Annular Pancreas Key Points: This congenital abnormality results from incomplete rotation of the ventral pancreas and a segment of the pancreas encircles the descending duodenum. There are two forms of the annular pancreas: The extra-mural form, where the ventral pancreatic duct encircles the duodenum to join the main pancreatic duct. In the intramural form, the pancreatic tissue penetrates in the muscular layer of the duodenum and the small ducts drain directly into the duodenum. In about half of the symptomatic patients, it will present with gastrointestinal or biliary duct obstruction in neonates, whereas in adults it will manifest with dyspepsia, duodenal obstruction (in about 10% of cases) or pancreatitis. On CT and MR, a band of pancreatic tissue is seen encircling the second portion of the duodenum. MR is advantageous because it allows depiction of the main pancreatic duct.[:de] Case No. 23: Annular Pancreas Annular Pancreas – CT Abdomen (Axial View) Modality: CT Abdomen (Axial View) Report: The CT examination revealed the presence of a band of pancreatic tissue encircling the descending duodenum. Read this essay on Case Study Monitor 23. Come browse our large digital warehouse of free sample essays. Get the knowledge you need in order to pass your classes and. View Homework Help - Case No. 23 Gallo.docx from BUS 421 at Baker College of Jackson. Gallo Winery 1. How important is the dessert wine segment to. No other abnormality is seen. Diagnosis: Annular Pancreas Key Points: This congenital abnormality results from incomplete rotation of the ventral pancreas and a segment of the pancreas encircles the descending duodenum. There are two forms of the annular pancreas: The extra-mural form, where the ventral pancreatic duct encircles the duodenum to join the main pancreatic duct. In the intramural form, the pancreatic tissue penetrates in the muscular layer of the duodenum and the small ducts drain directly into the duodenum. In about half of the symptomatic patients, it will present with gastrointestinal or biliary duct obstruction in neonates, whereas in adults it will manifest with dyspepsia, duodenal obstruction (in about 10% of cases) or pancreatitis. On CT and MR, a band of pancreatic tissue is seen encircling the second portion of the duodenum. MR is advantageous because it allows depiction of the main pancreatic duct.[:]. Newegg.com - A great place to buy computers, computer parts, electronics, software, accessories, and DVDs online. With great prices, fast shipping, and top-rated customer service - once you know, you Newegg. If you are reading this message, Please to reload this page.(Do not use your browser's 'Refresh' button). Please if you're running the latest version of your browser and you still see this message. If you see this message, your web browser doesn't support JavaScript or JavaScript is disabled. Please enable JavaScript in your browser settings so Newegg.com can function correctly. • 23' LED Panel With a 1366 x 768 resolution • True 16:9 Aspect Ratio View your movies as the director intended • Built-In Digital Tuner Watch digital broadcasts, including HDTV programs where available • Wide 160-Degree Vertical and 170-Degree Horizontal Angles See a clear picture from anywhere in the room • HDMI Inputs: 1 Enjoy a superior HD experience with HDMI, the one cable audio/video solution • 23' Screen Measured Diagonally from Corner to Corner Note You must have a source of HD programming in order to take full advantage of the Element 23' LED HDTV. Contact your local cable or satellite TV provider for details on how to upgrade. 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However, warranty support may be available if an item was never registered by a previous owner. Please contact the manufacturer to check. • Used - Like New: This means that the product has been opened, possibly used but is in perfect condition with no signs of cosmetic or functional defect. Product may includes warranty, and accessories found with the original product. Product may or may not be in the original packaging. Returned items with minor packaging defects fall under this category. • Used - Very Good: This means that the product has been opened, may show slight signs of use and cosmetic blemish, and may be missing minor accessories, but remain in excellent condition. Product does not come with warranty unless stated otherwise in product description. • Used - Good: This means that the product has been used, may show clear signs of use and may be missing minor accessories, but remain in good condition. 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